Videographers may not like the sound the clicked ring adds to a soundtrack, but the ring can be de-clicked-you just have to send the lens into Canon for service to make it happen. That makes it possible to make small adjustments without having to take your eye away from the viewfinder. Its function is set via the camera body-you can choose from things like aperture, EV adjustment, ISO, and white balance-and it clicks with each adjustment. Switch to linear (accessible via the camera menu) for video-a linear response means you can rack focus from one point to another by turning the focus ring a set distance, which is the same regardless of how quickly or slowly you turn it.
It's an electronic focus system, and you can set it for a typical response, which ramps up focus speed when you turn the barrel more quickly-it's a good choice for macro work as slow turns allow for very fine adjustments to focus. The large manual focus ring does just what you'd expect. There are two control rings on the barrel. Some third-party options, like the Tamron SP 35mm F1.8, offer these upmarket features, but you'll need to reach for an adapter to use them-at press time, third-party support for the RF mount is mostly absent. To keep costs down, the RF 35mm doesn't include protection from dust or moisture, nor does it sport fluorine coating, which repels moisture and grease. The lens isn't part of Canon's top-end L series, and costs a lot less than exotic primes like the RF 50mm F1.2 L and 85mm F1.2 L.
CANON 35MM 1.8 HOW TO
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